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"Diese Publikation bietet einen ausführlichen Überblick über Werk und Leben des Schweizer Künstlers Jean Tinguely, der wesentlichen Treibkraft bei der Etablierung kinetischer Kunst. Tinguelys mechanische Metallskulpturen wirken witzig und verspielt, ihre charmante Absurdität enthält jedoch auch eine dunkle Seite: Spiel, Vergnügen und Ironie kontrastieren in den fesselnden, unwiderstehlichen Werken mit Aggression, Selbstzerstörung und Todesangst. Im Unterschied zum vorherrschenden Tinguely-Diskurs, der vor allem auf die Verspieltheit, die kinetischen Aspekte seiner 'Maschinen' fokussiert, ist diese Studie die erste, die die gegenwartsbezogenen theoretischen, interdisziplinären und kritischen Aspekte seines?uvres herausstellt. Renommierte Autoren zur Kunst der 1960er-Jahre diskutieren diese Mehrdeutigkeit von Tinguelys Kunst, beispielsweise das Verhältnis zwischen der ansteckenden Fröhlichkeit seiner Kunstmaschinen und seinem eher dunkleren, ambivalenten Blick auf die menschliche Existenz und den Tod; seine Hinwendung zu technologischem Fortschritt und zugleich die Abneigung ihm gegenüber; Tinguelys utopische wie ungewöhnliche Vorstellungen von Gesellschaft; seine Liebe zur Kunstgeschichte, zu Museen, die stets mit institutioneller Kritik gepaart war, und, natürlich, sein paradoxes Verhältnis zu Materialität, Produktion und Zerstörung generell. Die Publikation schließt mit einer Diskussionsrunde zur Bedeutung Tinguelys für die bildende Kunst und das Museum im 21. Jahrhundert" (Verlag der Buchhandlung Walther König).

performance art --- preparatory studies --- Kinetic [style] --- assemblages [sculpture] --- installations [visual works] --- interactive art --- sculpture [visual work] --- site-specific works --- Art --- Tinguely, Jean --- sculpture [visual works] --- 7.07 --- Tinguely, Jean 1925-1991 (°Fribourg, Zwitserland) --- Kinetische kunst ; assemblages ; Jean Tinguely --- Junk sculpture --- Tentoonstellingscatalogi ; Düsseldorf ; Museum Kunst Palast --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Tinguely, Jean. --- Kinetic Art --- kunst in de openbare ruimte

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dadaïsme --- Breton, André --- Beeldende kunst ; 1ste h. 20ste eeuw ; André Breton --- Breton, André 1896-1966 (°Tinchebray, Orne, Frankrijk) --- Beeldende kunst ; 1ste h. 20ste eeuw ; Dada --- Dada ; kunsthistorische bronnen ; kranten ; pamfletten --- Kunstgeschiedenis ; 1900 - 1950 --- Dadaism --- 7.037 --- 7.07 --- Dada --- Tabu-Dadaism --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Breton, André, --- Бретон, Андре, --- Surrealist --- Art styles --- anno 1910-1919 --- anno 1900-1999 --- anno 1920-1929 --- Breton, André, --- Breton, André --- Бретон, Андре --- dadaïsme. --- Breton, André.

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Marcel Dzama (1974 Winnipeg, Canada. Lives and works in New York) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama?s work visualizes a universe of childhood fantasies and otherworldly fairy tales. Dzama?s image repertoire includes a wide range of art-historical quotations. One can recognize ballet costumes by Oskar Schlemmer or Francis Picabia, for example, and direct references to Francisco de Goya, Marcel Duchamp and Joseph Beuys. However, it?s not just elements from the past that spur Dzama?s creativity. The music enthusiast has collaborated with various colleagues from the beginning of his career, whether as part of the Royal Art Lodge in Winnipeg, which he co-founded, or in the form of collaborations with Arcade Fire, Bob Dylan, Beck, Kim Gordon (Sonic Youth), the filmmaker Spike Jonze, the actress Amy Sedaris, the ensemble of the New York City Ballet, or fellow artists like Raymond Pettibon and Jockum Nordström. In his work Beuys love a girl who plays guitar he brings together the artist Joseph Beuys with the country-singer Dolly Parton. For the exhibition at the Tim Van Laere Gallery he started a series of drawings with more hopeful themes, more serene. ?Because the Trump years were so traumatizing.? says Marcel Dzama. ?Also I usually either do political drawing or I go for this kind of vacation feeling. Almost idyllic. A lot of them are based on photographs taken of my son and wife on vacation. I am still playing with this.

7.07 --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Tentoonstellingscatalogi ; Antwerpen ; Tim Van Laere Gallery --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- kunst --- tekenkunst --- 75.071 DZAMA --- 7.071 DZAMA --- schilderkunst --- beeldhouwkunst --- collages --- installaties --- twintigste eeuw --- eenentwintigste eeuw --- Canada --- Dzama Marcel --- Art --- sculpture [visual works] --- life masks --- dioramas --- drawing [image-making] --- video art --- narrative art --- Dzama, Marcel --- Sculpture, American --- Narrative art --- Video art --- Art galleries, Commercial --- Dzama, Marcel.

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Drawing --- art [fine art] --- Surrealist --- Art styles --- multiples --- Art --- Mariën, Marcel --- anno 1900-1999 --- Belgium --- Surrealisme --- Surréalisme --- préface de Xavier Canonne ; catalogue raisonné établi par Frank J.M.A. Castelyns --- kunst --- België --- Marcel Mariën 1920-1993 (° Antwerpen, B.) --- Grafiek ; multipels ; 1972-1992 ; Marcel Mariën --- Mariën Marcel --- surrealisme --- Belgische kunstenaars --- grafiek --- Objectkunst --- 76.07 --- 7.071 --- 7.07 --- 76.071 --- 7.038(493) --- (069) --- Grafische kunst ; grafische kunstenaars A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 ; België --- (Musea. Collecties) --- prints [visual works] --- Mariën, Marcel. --- art [discipline]

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wars --- art [fine art] --- installations [visual works] --- multimedia works --- Iconography --- trees --- genealogies [histories] --- Art --- Van Stappen, Lieve --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Stappen, van, Lieve --- Van Stappen Lieve --- oorlogskunst --- Wereldoorlog I --- hedendaagse kunst --- 20ste eeuw --- Ieper --- kunst --- België --- twintigste eeuw --- stambomen --- kunst en natuur --- bomen --- wereldoorlog I --- 7.071 VAN STAPPEN --- Exhibitions --- Tentoonstellingscatalogus. --- Stappen, van, Lieve. --- Stappen, Lieve van, --- Stappen, Van, Lieve --- Photography --- pedigrees --- 7.07 --- Van Stappen, Lieve °1958 (°Wilrijk, België) --- Eerste Wereldoorlog ; 1914-1918 --- Kunst en natuur --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Wereldoorlog I. --- Van Stappen, Lieve. --- 20ste eeuw. --- Ieper. --- art [discipline] --- trees [woody plants]